Ebook How Movies Work, by Bruce F. Kawin
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How Movies Work, by Bruce F. Kawin
Ebook How Movies Work, by Bruce F. Kawin
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How Movies Work, offers the filmgoer an engaging and informative guide to the appreciation and evaluation of films. It provides a comprehensive consideration of movies from idea to script, casting, financing, shooting and distribution. Bruce Kawin addresses the book not just to students of film but to any filmgoer curious to know more about the process of the conception and creation of our favorite entertainment and art form.
- Sales Rank: #824868 in Books
- Published on: 1992-01-17
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 1.25" w x 8.00" l, 2.47 pounds
- Binding: Paperback
- 608 pages
Review
"In "How Movies Work Bruce Kawin demonstrates quite deftly that one can engage in rudimentary ideological and formal analysis of Hollywood films, yet still discuss commercial film economics. . . . "How Movies Work is a unique book because . . . it actually includes films by women and independents."--Patricia Zimmerman, "Journal of Film and Video
From the Back Cover
How Movies Work offers the filmgoer an engaging and informative guide to the appreciation and evaluation of films. It provides a comprehensive consideration of movies from idea to script, casting, financing, shooting and distribution.
About the Author
Bruce Kawin is Professor of English and Film Studies, University of Colorado, and author of Mindscreen: Bergman, Godard, and First-Person Films and editor of Faulkner's MGM Screenplays.
Most helpful customer reviews
11 of 12 people found the following review helpful.
You Must Buy This Book
By Old-and-Wise
You must buy this book if you want to find out how movies work, i.e., how they enrich our cultural experience and how they are made. Kawin's textbook is pleasantly readable by anyone interested in the cinema. It contains a wealth of information from film appreciation to film production (including explanations of various special effects!) to film studies. Every aspect of the cinema is clearly explained and illustrated with examples, and the book contains many still photographs, 96 of which are in color.
I think this is exactly how a "how-to" book should be written. I only wish it had been updated to reflect advances in the 1990s -- this book was first published in 1987 and reprinted in 1992.
1 of 1 people found the following review helpful.
Very Pleased
By Yuberka Estevez
Very reasonable prices and the book was everything I hoped for
6 of 6 people found the following review helpful.
My Film History Teacher In College
By C. D. Chapra
The author of this book, Bruce F. Kawin, taught my film history class at the University of Colorado at Boulder. One of my favorite professors in college, he used his own textbook in the class. I recommend pairing Mr. Kawin's excellent book with Short History of the Movies, A (11th Edition), written by Gerald Mast and edited by Mr. Kawin]]. When he needed to illustrate a technical innovation of film, he used his own book. When he needed to make a historical point, he used "A Short History". We met twice a week for fifteen weeks, three hours per class, where he talked for up to 30 minutes and let the films do the rest. It would be difficult to duplicate the screenings for the class. The first semester featured silent films exclusively. The first film we saw was the first film anyone paid to see in a theatre, "Workers Leaving the Factory", by the Lumiere Brothers(See Landmarks of Early Film, Vol. 1 for more). I saw Abel Gance's La Roue in 1992, years before the official DVD release. Mr. Kawin had carte blanche to borrow the only existing print in the world, at that time, from the Modern Museum of Art in New York City. We ended the first semester with F. W. Murnau's masterpiece Sunrise [Blu-ray]. The second semester covered sound film from Don Juan (Silent) [VHS], the first film with a recorded sound track, to John Carpenter's They Live, the film I wrote about on my final exam; comparing Roddy Piper's character Nada to Chaplin's Little Tramp. I have read many Film theory and technical books since my college days and, even though I may sound biased, I believe Mr. Kawin and Mr. Mast combined provide the best film history education money can buy.
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